Definitely document under “uneasy hearing”.
Zimmer is definitely a sucker for commercial music and dark electronics, both of which slide their method into “Realtor of Commotion” and the violently rhythmic “As to why So Critical?” Even the reflective orchestral products are usually smeared in grim textures and dystópian murk. Simply like Heath Journal's completely psycho portrayal óf The Joker, almost every track is large, dense and claustrophobic. EDITORS' Information There's little deep breathing area on Hans Zimmer and James Newton Howard's i9000 brilliantly developed soundtrack for The Black Knight.
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